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Gaga: A Foreigner Explores Ohad Naharin’s Movement Language

Deborah Friedes Galili, Dance In Israel, January 3, 2009

If the verbal cues in Gaga are indeed suggestions rather than the hard-and-fast rules which govern many dance techniques, they are at times picked up by my body and mind with neither resistance nor with a concerted effort to follow them.  It’s as if they seep into me through the air, and I respond physically without forcing myself to act in accordance with what I heard.


Read the article:

Gaga: A Foreigner Explores Ohad Naharin’s Movement Language

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