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Choreographer Ohad Naharin on developing the dance language Gaga

MARTHA SCHABAS, Special to The Globe and Mail, Jan. 06, 2017

"Gaga came from the necessity to communicate with the people I work with – I needed to take care of their bodies and my body. It became something that really reflects on how and why we dance. And it has a lot to do with what I told you before about going beyond familiar limits: We couldn’t have done this without Gaga and without the toolbox of Gaga."  Ohad Naharin


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Choreographer Ohad Naharin on developing the dance language Gaga


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